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Commits
| Author | SHA1 | Message | Date | |
|---|---|---|---|---|
 Emma Thorpe
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3141f7ca87 |
feat: name the mirror so a FAT32 device will take it, and copy album art
Build and publish container / build (pull_request) Successful in 2m18s
Two changes for playing the mirror on a Rockbox iPod, where the device is FAT32 and Rockbox reads a plain directory tree rather than a database. --fat32-safe names mirror files acceptably: the reserved characters and control characters become underscores, trailing dots and spaces are stripped because FAT eats them silently and the name then round-trips as a different one, and a component left empty becomes an underscore. Names differing only in case are detected as collisions, since two files here are one file there and the second would silently overwrite the first. "Kick Out the Epic Motherf**ker" is a real example from a real library, and without this it simply never arrives. Off by default. It renames files, and that should be a decision rather than a surprise on somebody's next pass. Turning it on does not re-encode anything. Every track whose name held a reserved character changes path, and encoding those again would be hours of work producing files that already exist byte for byte, so the run moves them instead and logs each one. Prune then finds nothing left behind. Album art is now also copied into the mirror as cover.jpg beside the tracks. Rockbox searches the filesystem for art -- cover.jpg, folder.jpg and the rest, in the track's directory or its parent -- and that search never looks at the picture embedded in the tag, so a mirror that only embeds art displays none of it on the device. Embedding continues for the Apple firmware; both are now satisfied. A cover whose tracks have all been pruned is removed too, or its directory would never look empty and never go. Adds tools/check_fat32.py, which reports unacceptable paths before a copy rather than during one: rsync reports them too, but scattered through fifty thousand files where they are easy to lose. It exits non-zero so it can gate a script. The README documents the rsync invocation, including why --modify-window=2 is required against FAT and why Rhythmbox must be kept out of the transfer -- rb_ipod_helpers_is_ipod() reads access-protocols from media-player-info and returns true on the USB id alone, without looking at the filesystem, so removing iPod_Control changes nothing. |
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 lyrathorpeandEmma Thorpe
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d4ccff3b75 |
feat: mirror a lossless library to MP3 for iPod sync (#1)
Build and publish container / build (push) Failing after 51s
## What A path-for-path MP3 mirror of a lossless library. FLAC in, MP3 out, same relative layout, tags and cover art carried across. Already-MP3 sources are copied rather than re-encoded. Mirror files whose source has gone are deleted, along with any directory they emptied. The source library is never written to — mounted read-only in the compose file, and never opened for writing in code. | Situation | Action | | -------------------------------- | ------------------------------------ | | No mirror file | encode | | Source modified since the mirror | re-encode (a Lidarr quality upgrade) | | Mirror up to date | skip | | Source is already MP3 | copy verbatim | | Source gone | delete, prune empty dirs | ## Design notes - **No database.** Freshness is mtime: an encode is stamped with its source's mtime, so a file is stale exactly when the two differ. Lidarr owns the library; a second tool with its own index would only fall out of step with it. This is also why it is not beets. - **Atomic writes.** Encode to a temp file, rename into place. An interrupted run cannot leave a truncated MP3 that the next run treats as finished. - **A lock file** in the mirror root stops two passes overlapping. - **Refuses a mirror inside the source tree**, which would otherwise recurse. - `--subdir` never prunes: a partial pass cannot distinguish an orphan from a file outside its scope. ## Shipping - Python package with a `music-mirror` console script, no runtime dependencies beyond ffmpeg. - `Dockerfile` plus `compose.yaml` as a TrueNAS Scale Custom App: source dataset read-only, mirror dataset writable, `MUSIC_MIRROR_INTERVAL=6h`. - CI runs the tests **inside the image**, against the ffmpeg that ships, on every pull request, and on merge publishes multi-arch (amd64 + arm64) to this Gitea's registry using the `PACKAGES_SECRET` repository secret. Versioning follows the same conventional-commit scheme as `legacy-email-proxy`, including writing the released version back into `pyproject.toml` so the packaging metadata cannot drift behind the tag. ## Behaviour under Lidarr | Lidarr does this | The mirror does this | | --------------------------------------- | -------------------------------------------------------------------------------- | | Replaces a file with a better rip | Re-encodes in place; same path in, same path out, so no duplicate | | Upgrades MP3 to FLAC | Both map to the same `.mp3` mirror path, so the old one is overwritten | | Renames a track, album or artist folder | Old path pruned, new path encoded — correct, though it re-encodes rather than moving | | Deletes an album or artist | Every orphaned mirror file goes, and the directories they emptied with them | Three defects were found and fixed while writing those tests, each verified to fail against the previous code: - Pruning probed the source tree for a mirror file's original name, lowercase extensions only. A `.FLAC` source was never found, so its mirror file was deleted as an orphan and rebuilt on the next pass, for ever. Pruning now works from the set of paths the pass actually accounted for. - Two sources could claim one mirror path — `01 Song.flac` beside a leftover `01 Song.mp3`. Both encoded to the same destination and each pass found the loser stale. The better format now wins, ties break on path. - The source mtime was read after encoding rather than before, so a file still being written when the pass reached it could be stamped current while holding truncated audio. ## Why there is no flake The deployment target is a container. A flake here would sit on no path between the source and the NAS, and `nix flake check` would test against nixpkgs' ffmpeg while the artefact ships Debian's — precisely the layer these tests exercise. It was removed in favour of running the suite inside the image. The sibling `legacy-email-proxy` keeps its flake because there the flake *is* the deployment mechanism. ## Verification - 21 tests, all real ffmpeg round-trips: layout, tag survival, MP3 output, skip-when-current, re-encode-on-change, orphan pruning, empty-dir removal, `--no-prune`, MP3 passthrough, `--dry-run`, `--subdir`, external cover art embedding, both refusal paths, and the Lidarr lifecycle cases below. - The suite also runs in the multi-stage Docker `test` stage: 21 passed. The published `runtime` stage carries neither the tests nor pytest, verified by inspecting the image. - Container built and run locally against a sample library: correct output path, Cyrillic tags intact. - The release step was extracted from the workflow and run against a scratch repository: it commits and tags when the version changes, and skips the commit but still tags when `pyproject.toml` already carries it. - **Not tested against the real library** — the first run there should be `--dry-run`. ## Follow-ups, not in this PR - Lidarr imports are picked up on the next scheduled pass rather than instantly. A webhook trigger is the obvious next step if six hours feels slow. - `PACKAGES_SECRET` must exist as a repository secret before the first merge, or the login step fails. --------- Co-authored-by: Emma Thorpe <emma.thorpe@citrix.com> Reviewed-on: #1 |